by Mark Murton
Original Title: Il profumo della signora in nero
Directed by: Francesco Barilli
This review contains an Implied Kitty Carnage Warning!
Cat Out of the Bag Alert! This review contains some spoilers for this film!
Synopsis: After a night out with friends where the conversation turns to witchcraft, curses and human sacrifice (one incident even involving cats’ whiskers!), Sylvia (Mimsy Farmer) becomes increasingly withdrawn as she wrestles with unresolved traumas from her childhood. She starts to suffer disturbing visions involving her mother and her younger self that blur fantasy and reality, memory and imagination. Further unhinged by the death of her neighbour and friend Francesca, she no longer knows who to trust, fearing those purporting to be trying to help her may be part of a strange cult manipulating her for their own nefarious purposes, all leading to a shocking denouement.
Kitty Cameos: Two of the tropes of a good Giallo are a largely impenetrable / nonsensical plot and at least one cat, and this one ticks both boxes. The first cat is seen when Silvia is reading an old school book where she wrote a letter to her absent sailor father mentioning they had just received a black cat from the man at the “animal shop” who is also seeing her mother. As Silvia cuts photos of this man from old family photos, a snarling spring-loaded black cat suddenly appears on the table in front of her.
The cat scrambles from the table and leads her to an adjacent room where she encounters one of her childhood traumas.
Soon after, Silvia encounters her neighbour, Signorina Cardini (Aleka Paiza), in the lobby carrying a black cat with a red bow around its neck whom she calls “Chopin.”
Some time later, another neighbour, Signor Rossetti (Mario Scaccia), is in his apartment holding a plate of raw meat as he calls to his cats. He places it on the floor and soon two fluffy dilute calico kitties appear and tuck in.
As they feed, one of them obligingly changes position to reveal a human finger among the flesh.
At the same time, Silvia returns to the apartment building and hears Signorina Cardini, with Chopin in her arms, and the porter Luigi (Ugo Carboni) discussing the death of her neighbour Francesca.
Implied Kitty Carnage Warning and Faux Cat! Towards the end of the film, as Silvia descends into madness, Signorina Cardini comes knocking at her door asking if she’s seen Chopin, who has gone missing. While interacting with her younger self (Lara Wendel), whom she now believes has moved into her apartment with her, young Silvia presents her with a gift; Chopin’s dead body (a freakishly fake model, thank goodness!)
Chopin’s body is seen again in a basket as young Siliva encourages her older self to have it stuffed, explaining, “That way, he’ll look like he’s alive.” Silvia actually takes Chopin to the taxidermist to get this done, but this leads to a direct confrontation with her past.
Final Mewsings: Cats love finger food!
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